Definition of mese in English:

mese

noun ˈmɛziˈmiːziˈmɛzeɪ

Music

In ancient Greek music: the highest note of the lower of a pair of tetrachords, identical in some scales with the lowest note of the higher tetrachord. Hence, in the two-octave scale known as the Greater Perfect System: the middle note, which is also the highest note of the second lowest of the four tetrachords.

Origin

Late 16th century; earliest use found in Thomas Morley (?1557–?1602), composer. From ancient Greek μέση middle string of a seven-stringed lyre, highest note of the lower tetrachord, use as noun of the feminine singular of μέσος.

Definition of mese in US English:

mese

noun

Music

In ancient Greek music: the highest note of the lower of a pair of tetrachords, identical in some scales with the lowest note of the higher tetrachord. Hence, in the two-octave scale known as the Greater Perfect System: the middle note, which is also the highest note of the second lowest of the four tetrachords.

单词	mese
释义	Definition of mese in English: mese noun ˈmɛziˈmiːziˈmɛzeɪ Music In ancient Greek music: the highest note of the lower of a pair of tetrachords, identical in some scales with the lowest note of the higher tetrachord. Hence, in the two-octave scale known as the Greater Perfect System: the middle note, which is also the highest note of the second lowest of the four tetrachords. Origin Late 16th century; earliest use found in Thomas Morley (?1557–?1602), composer. From ancient Greek μέση middle string of a seven-stringed lyre, highest note of the lower tetrachord, use as noun of the feminine singular of μέσος. Definition of mese in US English: mese noun Music In ancient Greek music: the highest note of the lower of a pair of tetrachords, identical in some scales with the lowest note of the higher tetrachord. Hence, in the two-octave scale known as the Greater Perfect System: the middle note, which is also the highest note of the second lowest of the four tetrachords. Origin Late 16th century; earliest use found in Thomas Morley (?1557–?1602), composer. From ancient Greek μέση middle string of a seven-stringed lyre, highest note of the lower tetrachord, use as noun of the feminine singular of μέσος.
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