Definition of proslambanomenos in English:

proslambanomenos

noun ˌprɒslambəˈnɒmənɒs

Ancient Greek Music

The lowest note in the later scales or systems of ancient Greek music, added below the lowest tetrachord in order to complete the octave.

Origin

Late 16th century; earliest use found in Thomas Morley (?1557–?1602), composer. From classical Latin proslambanomenos added note at the bottom of a system of tetrachords (Vitruvius) from Hellenistic Greek προσλαμβανόμενος, use as noun of medio-passive participle of ancient Greek προσλαμβάνειν to take or receive besides or in addition from προς in addition + λαμβάνειν to take.

Definition of proslambanomenos in US English:

proslambanomenos

nounˌprɒslambəˈnɒmənɒs

Ancient Greek Music

The lowest note in the later scales or systems of ancient Greek music, added below the lowest tetrachord in order to complete the octave.

Origin

Late 16th century; earliest use found in Thomas Morley (?1557–?1602), composer. From classical Latin proslambanomenos added note at the bottom of a system of tetrachords (Vitruvius) from Hellenistic Greek προσλαμβανόμενος, use as noun of medio-passive participle of ancient Greek προσλαμβάνειν to take or receive besides or in addition from προς in addition + λαμβάνειν to take.

单词	proslambanomenos
释义	Definition of proslambanomenos in English: proslambanomenos noun ˌprɒslambəˈnɒmənɒs Ancient Greek Music The lowest note in the later scales or systems of ancient Greek music, added below the lowest tetrachord in order to complete the octave. Origin Late 16th century; earliest use found in Thomas Morley (?1557–?1602), composer. From classical Latin proslambanomenos added note at the bottom of a system of tetrachords (Vitruvius) from Hellenistic Greek προσλαμβανόμενος, use as noun of medio-passive participle of ancient Greek προσλαμβάνειν to take or receive besides or in addition from προς in addition + λαμβάνειν to take. Definition of proslambanomenos in US English: proslambanomenos nounˌprɒslambəˈnɒmənɒs Ancient Greek Music The lowest note in the later scales or systems of ancient Greek music, added below the lowest tetrachord in order to complete the octave. Origin Late 16th century; earliest use found in Thomas Morley (?1557–?1602), composer. From classical Latin proslambanomenos added note at the bottom of a system of tetrachords (Vitruvius) from Hellenistic Greek προσλαμβανόμενος, use as noun of medio-passive participle of ancient Greek προσλαμβάνειν to take or receive besides or in addition from προς in addition + λαμβάνειν to take.
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