Definition of amphibrach in English:

amphibrach

nounˈamfɪbrakˈæmfəˌbræk

Prosody

A metrical foot consisting of a stressed syllable between two unstressed syllables or (in Greek and Latin) a long syllable between two short syllables.
〔诗韵〕三音节音步
Example sentencesExamples
- Outside the limerick form, amphibrachs used to be quite rare in English language verse.
- Sometimes, to relieve the monotony, she threw in a four-, six- or even seven-foot line, and her ‘dactyls’ are often amphibrachs or anapaests.
- Yet trochees are actually in a minority here: the first and third line of each stanza is composed of a trochee and two iambs, while the second and fourth are composed of a trochee and an amphibrach.
- I could of course say that it was an iamb followed by an amphibrach; honestly, I'm not assuming very much at all about how these metrical forms are represented.
- It seemed the answer was not strict anapests or dactyls or even amphibrachs but a looser sense of the line altogether, with room to gallop and stop short at will.

Origin

Late 16th century (originally in the Latin forms amphibrachus, amphibrachys): via Latin from Greek amphibrakhus 'short at both ends'.

Definition of amphibrach in US English:

amphibrach

nounˈæmfəˌbrækˈamfəˌbrak

Prosody

A metrical foot consisting of a stressed syllable between two unstressed syllables or (in Greek and Latin) a long syllable between two short syllables.
〔诗韵〕三音节音步
Example sentencesExamples
- Outside the limerick form, amphibrachs used to be quite rare in English language verse.
- Sometimes, to relieve the monotony, she threw in a four-, six- or even seven-foot line, and her ‘dactyls’ are often amphibrachs or anapaests.
- Yet trochees are actually in a minority here: the first and third line of each stanza is composed of a trochee and two iambs, while the second and fourth are composed of a trochee and an amphibrach.
- It seemed the answer was not strict anapests or dactyls or even amphibrachs but a looser sense of the line altogether, with room to gallop and stop short at will.
- I could of course say that it was an iamb followed by an amphibrach; honestly, I'm not assuming very much at all about how these metrical forms are represented.

Origin

Late 16th century (originally in the Latin forms amphibrachus, amphibrachys): via Latin from Greek amphibrakhus ‘short at both ends’.

单词	amphibrach
释义	Definition of amphibrach in English: amphibrach nounˈamfɪbrakˈæmfəˌbræk Prosody A metrical foot consisting of a stressed syllable between two unstressed syllables or (in Greek and Latin) a long syllable between two short syllables. 〔诗韵〕三音节音步 Example sentencesExamples Outside the limerick form, amphibrachs used to be quite rare in English language verse. Sometimes, to relieve the monotony, she threw in a four-, six- or even seven-foot line, and her ‘dactyls’ are often amphibrachs or anapaests. Yet trochees are actually in a minority here: the first and third line of each stanza is composed of a trochee and two iambs, while the second and fourth are composed of a trochee and an amphibrach. I could of course say that it was an iamb followed by an amphibrach; honestly, I'm not assuming very much at all about how these metrical forms are represented. It seemed the answer was not strict anapests or dactyls or even amphibrachs but a looser sense of the line altogether, with room to gallop and stop short at will. Origin Late 16th century (originally in the Latin forms amphibrachus, amphibrachys): via Latin from Greek amphibrakhus 'short at both ends'. Definition of amphibrach in US English: amphibrach nounˈæmfəˌbrækˈamfəˌbrak Prosody A metrical foot consisting of a stressed syllable between two unstressed syllables or (in Greek and Latin) a long syllable between two short syllables. 〔诗韵〕三音节音步 Example sentencesExamples Outside the limerick form, amphibrachs used to be quite rare in English language verse. Sometimes, to relieve the monotony, she threw in a four-, six- or even seven-foot line, and her ‘dactyls’ are often amphibrachs or anapaests. Yet trochees are actually in a minority here: the first and third line of each stanza is composed of a trochee and two iambs, while the second and fourth are composed of a trochee and an amphibrach. It seemed the answer was not strict anapests or dactyls or even amphibrachs but a looser sense of the line altogether, with room to gallop and stop short at will. I could of course say that it was an iamb followed by an amphibrach; honestly, I'm not assuming very much at all about how these metrical forms are represented. Origin Late 16th century (originally in the Latin forms amphibrachus, amphibrachys): via Latin from Greek amphibrakhus ‘short at both ends’.
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